![]() ![]() There’s no way to adjust the exposure.This is big downside, as the Digital ICE in Epson Scan quite good - the best I’ve seen for Epson scanners. With this method, you cannot use Digital ICE.This will give you an uncorrected and un-inverted scan of the negative (exactly what we wanted!).īefore you do this, though, you should know that there are two downsides to this method: In Epson Scan, it’s possible to tell the software that you are scanning Positive Slide Film (so it doesn’t try to convert the negative) and then simply turn off all color corrections. ![]() METHOD 1: No Color Correction (but no ICE, either) There is more than one way to do this in Epson Scan (and later in Negative Lab Pro), so I’ll give you a few options along with things to consider. This way, you can separate the tasks of scanning the film and editing the film, all your edits can easily be updated in the future because they are non-destructive, and you can get much better colors and tones out of your film scans. And then we will use the Negative Lab Pro plugin in Lightroom for converting and editing the negative. So our goal is use Epson Scan to get an untouched, unconverted scan of the negative. ![]() (Also, it has the best Digital ICE integration I’ve seen for Epson scanners - even better than Vuescan’s implementation). You want to spend as little time in this utility as possible!īUT again, the underlying scans of the negative are perfectly good.
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